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Sheaf+Barley are cunning folk, which means they go around performing charms, making things, drawing symbols and reading signs for people who need it. They think belief is a radical act, and that to interrupt hegemony we must be in a constant state of uprising. Sheaf+Barley see much of their work as telling stories and creating spaces where stories can be told and exchanged. These spaces are called hearths, focal points of warmth that people can come together around, temporary spaces of comfort and stability in a world that is otherwise in freefall. Hearthmaking is a direct response to the forced existence of precarity and self-isolation which is being violently exported across the globe.

They cobble together ways of being in the world responding to now and directed towards the future. Through a mixture of research, action, and belief, Sheaf+Barley create a set of tools that can be used by themselves and others. They look for possible tools in places that pre-existed this precarity, usually in the history and beliefs of England where both grew up. The work produced is a public sharing of this continually developing tool-making, made in dialogue with everyone who comes into contact with it. They think the unknown has its own substance, and cannot be lessened by knowing more things. Everybody can be cunning folk.